Poems
by Griffin R.K.
‘May Rain’
This new sky’s weather is
the bane of the Agiads and Eurypontids:
the meteor showers less like showers
and more like tears or tears and some
black planet interred in the bosom of Gemini
makes a single man well aware
of his being the afterbirth of the destiny
of many another man.
‘Dark Continent’
To the swatting of a fly or perhaps
the sucking of a tick; or, to the new
turmeric sky, once black but now red and
slick that Venus might ’cross its length slide—her
witless droll, her slow pantomime. Or, to
the bodies melting in the stomachs of
the Barbary cats thronged in a valley
who swallowed and enjoyed every hand who
could brush aside the dry grass in their fur.
‘The Blazing World’
I’ll leave the hot kiss upon the paprika skin,
e’er beneath the descending heavy air—moving anew,
breathless the night might’ve been; but leave a long blue
exhale, now that the sun winks and the wrinkled moon
draws upon a deep red sea.
‘Two Quatrains’
The roaring siege engine gores at its leisure,
breaks the uncertain Avatar, gripped for the first
time—burning coals at her feet: the floor of the
club. Her legs are thicker than she remembers.
I’ll emerge from the darkness, empty-handed:
I poured what I had to fill them with you. My
palms will be turned up, steam still rising; and
I’ll be shoeless, a starving ghost—Boddhisatva.
‘Carpe Diem’
Pleasure
asleep in your arms,
though I can’t know
when or that I am.
Lover
to be buried with,
reclining back into a death
with those same velvety insides
behind closed eyes.
‘Carpe Diem (II)’ — for George Herbert
Blood that in veins runs
then under skin is stilled
might make raptures undone;
but us in each other, un-killed.
‘Avril’
The women stalking crow-like
or dove-like in their knee length jackets
under the sloping brow of early springtime showers:
ladies-in-waiting to all-new hints of desire. Suddenly,
the smell of grass’s blood,
and the sound of rain playing her single song
—the very Earth her dulcimer.
‘Sardanapalus’
A naked foot stalking upon silk; a lanthorne burning;
the strings of a dulcimer plucked one after another.
The adobe walls of a womb: a throng swelling;
and then flung into the full-mooned sky,
a man by the black wings of a crow,
crying. Turning away now he scans both the sea
and the sky, just to see the stars roving on in
both, like a muse in the artist’s eye; and
the wind is very cold again.
‘Haiku (I)’
An Angel unto
Earth a gender mulatto;
roving souls in hell.
‘Haiku (II)’
I notice when you
gaze into your cup before
sips like a scryer.
‘Haiku (III)’
She moves awkwardly:
the beautiful amateur
dances how water drips.
‘Aubade’
Your suitcase
useless by the door
a constant threat
to our uneasy symmetry
when that which cracks dawn
also splits earth.
‘Quatrain’
A wine-lined kiss with the dewy precision
of a rose thorn, and the world in her sunburned nape.
Do the pains in these things not seem so strange
like a chancre beneath lipstick?